The rest of the band preferred it to another Nicks tune, Silver Springs.
Written by Christine McVie, Oh Daddy has a quintessential Englishness about it that the singer sneakily slips into what is an overwhelmingly American record. A lovely acoustic piece from Buckingham that showcases the skills of a player whose own technique has often been underrated in the rush to applaud him as a songwriter. The number moves along on an agreeably soothing bass line from John McVie and a simple Mick Fleetwood drum pattern as Nicks warns Buckingham against the dangers of thinking the grass will be greener without her.
A delicate and haunting number beautifully delivered by Nicks. But this is ultimately a perfect example of why Rumours is so strong, as disparate elements mould into a coherent whole. The scatty vocals sound ridiculously carefree for a song about playing second fiddle in the love stakes.
Perfect for this record. In , L. After Welch left the band, a somewhat slicker version of the song recorded with Buckingham, Christine and Fleetwood became a solo hit for him.
It remains a beloved soft-rock chestnut. He was funny, sweet — and he was smart. Nor do I think I would want to. I am someone who values musical themes. Someone who feels there should be a consistency from night to night with something. Buckingham rocks out with the raw spirit of a freewheeling garage band, while Fleetwood cuts loose on the drums. That was just Mick and myself late at night in the studio, me at the piano.
Fleetwood Mac’s 50 Greatest Songs
That has to rate as one of my top-five moments in the band. Not directed at anybody in particular but at the business, the need to conform to some vague set of commercial standards. An obscure gem from the years between the original Mac with Peter Green and the modern Buckingham-Nicks incarnation. Guitarist Danny Kirwan was a great songwriter in his own right, fond of dreamy Beatle-struck ballads like this single, which chimes in the mode of Badfinger or Big Star. But, tragically, Kirwan slipped into a void much like his fellow Mac guitarists Green and Jeremy Spencer — he suffered a mysterious mental breakdown, vanished from the music world and drifted into homelessness.
This smoky blues ballad sums up the lost legend of Peter Green — especially the version on Live in Boston, recorded in February My mind would be racing. I love it. Christine McVie was fed up with all of them. After Fleetwood Mac finished work on their self-titled LP, they found themselves at a loss as to which song to release as a first single.
It became their first song to reach the American charts since and their first Top 20 hit in the U.
To achieve the desired percussive effect, he pounded the seat of a Naugahyde chair found in the studio. Green had a sudden LSD-related mental collapse, dropped out of the band and ended up digging ditches and sleeping on the streets. It sounds uncannily like the playful indie-rock sound of Nineties bands like Pavement. It took Christine McVie only 30 minutes to write this lovely piano ballad. During the early Seventies, Fleetwood Mac gradually transformed from a blues unit into a much poppier band — and this beguiling contribution from singer-guitarist Bob Welch was a key link in that progression.
Restringing the guitar three times every hour was a bitch.
20 Insanely Great Fleetwood Mac Songs
But Lindsey had lots of parts on the song, and each one sounded magnificent. So the song has taken on kind of an irony. Inspired by a road sign she spotted on tour, Nicks intended this simmering requiem for her romance with Buckingham to be her crowning moment on Rumours. But the song which originally ran almost 10 minutes was too long to fit on the finished LP and was dropped. Christine McVie wrote this song with Portuguese songwriter and keyboardist Eddy Quintela, whom she married in My skin turned to goose flesh, and I wondered how long this feeling was going to last.
Don Henley of the Eagles claimed the song was named for a baby Nicks was pregnant with and decided not to have during their brief late-Seventies affair. Thirty-five years later, she confirmed that he was partially correct. One afternoon during the recording of Rumours, Nicks disappeared into a small studio in the Record Plant, which belonged to Sly Stone.
Live (Fleetwood Mac album) - Wikipedia
We were coming at it from opposite angles, but we were really saying the same exact thing. She waitressed at a singles bar. Should we go back to San Francisco? Should we quit?
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